Works List

Performance Works

personwhowatchestoomuchtelevision [2014-15] – for violoncello and/or guitar, dancers and electronics 35′00″

 

For Soloist and Electronics

this central valley heat will kill us all – for singing pianist and electronics. For Conrad Tao 3’26”

A20 [2014-16] – for piano, electronics and projection. [ Indeterminate Length ]

homecoming (three years later) [2016] – for singing pianist and electronics. 33’00”

Considerate [2015] – for piano and electronics. 3’44”

Na Noite Gris [2015] – for mezzo-soprano and piano. 12’00”

california fragments [2013] – for sampler and electronics. [ Indeterminate Length ]

scène [2013] – version one, for solo flute and electronics. ≈ 8‘00″

for you (i sing in colours) [2012] – for violoncello and electronics. ≈ 7’00”

monologue [2012] – for solo electronics performer. [ Indeterminate Length ]

little serenade [2011] – for piano and electronics. [ Indeterminate Length ]

 

For Two or More Players

not so wild [2017] – for voices and ensemble. Text by Omar J. Sakr. ≈ 15’00”

front pockets, back pockets, jacket pockets [2016] – for violoncello, clarinet (doubling Low-C Bass Clarinet), toy piano, soprano,  and the voices of the ensemble. ≈ 20’00”

Dissociation Loops [2016] – for violoncello, extended Low-C Bass Clarinet and electronics. ≈ 20’00”

[ false cognate ] [2016] – for bass flute and electric guitar OR for bass flute and viola. ≈ 5’00”

a portrait of the ocean in static [2013] – for string quartet and electronics. ≈ 8’00”

pressure and light [2013] – for violoncello and another. ≈ 3’00”

scène [2013] – version two, for flute and ensemble with or without electronics. ≈ 8’00”

impossible geometry [2012] – for string quartet. 7’00”

caffeine, insomnia and self doubt at 3.03am [2011/2017] – for ensemble. 8’00”

 

For Large Ensemble

Threaded Between – for Sinfonietta. For The West Australian Symphony Orchestra 11″.

is this a which the yet let art not – for choir and large ensemble [ indeterminate length]

Ten Kurtág Miniatures [2011] – for chamber orchestra. 20’00”

 

Electroacoustic

Debussy Remixes 20’00”

 

Sound Designs/OSTs

Foul Play’s Macbeth [dir. Yasmin Gureeboo], 2014.

Bakehouse Theatre Company. The Web [dir. Yasmin Gureeboo], 2013.

Bakehouse Theatre Company. And No More Shall We Part [dir. Yasmin Gureeboo], 2013.

 

Works in Progress

upward, upward – for piano trio [with melodica]. For Sean Botha. [2018 premiere]

Heysen – for piano and electronics. For Gabriella Smart [2018 premiere].

from above – for chamber orchestra. Commissioned by the Melbourne Symphony Orchestra as part of the Cybec 21st Century Australian Composers Program. [2018 premiere].

White Lillies – film score. Directed by Lucy Gale [2018 premiere].

different movements are made in the air – electroacoustic. [2018 premiere].

XXX Neon Sign – staged work for speaking pianist and ensemble. [2018 premiere].